InkAndMotion"The brief said 'epic but intimate.' I drew every frame twice — once for the studio, once for the character."
A 90-second opening cutscene for an indie action-RPG. Delivered in 3 weeks.
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frame 004"I had six seconds to make you feel the ocean before a single actor appeared on screen."
Title sequence for Driftwood, a documentary short about Pacific drift-net fishing. Hand-inked on Bristol board, scanned at 1200 dpi.
"Thirty seconds. One product. Zero stock footage. The constraint was the brief."
An explainer for Paperchain, a fintech startup. The entire thing hand-drawn, scanned, and composited — no After Effects puppet tools.
← the full process, left to right
"They asked for revisions. I sent one version. They aired it unchanged."
— Paperchain, Series A launch campaign, 2025
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